On the finish of each tour of Nashville’s Ryman Auditorium, nation music followers have the chance to ascend a small staircase and have their picture taken on the very stage the place legends like Hank Williams and Johnny Money as soon as stood. On this November afternoon, a number of gray-haired stragglers of the day’s closing tour group are doing simply that — paying little thoughts to the Southern rap star making an attempt to soundcheck behind them. To be honest, Yelawolf doesn’t a lot resemble his fearsome moniker. Wearing khaki pants, a striped sweater, bucket hat, and eyeglasses, he’s extra of an unassuming dad.

Till he opens his mouth.

“It’s a fucked-up day,” he snarls, emphasizing the F-word as he runs by a monitor off his 2022 left-turn rock album, Generally Y. At that second, a small crew of stagehands detach the photo-op old-timey staircase and shortly roll it out of the auditorium. The remaining vacationers scatter. It’s the right metaphor: an emblem {that a} musical change is about to happen. Out with the outdated, in with the brand new.

Yelawolf’s rock awakening didn’t simply catch the Ryman vacationers off-guard. It additionally smacked his personal followers upside the pinnacle. For the reason that launch of the mixtape Trunk Muzik in 2009, the Alabama-born/Tennessee-raised Yelawolf — né Michael Wayne Atha — has amassed a rabid pack of numerous followers, all drawn to his rapped tales of poverty, rural hardship, and the endless hustle. At his present later that night time, older guys in biker leathers mingle with youngsters in camo and snapbacks, younger Black women slide right into a Ryman church pew subsequent to white dudes in hoodies that learn “Slumerican,” Wolf’s report label. Some followers howl on the stage, and practically all rap again to Yelawolf when he warns, “Don’t make me go pop the trunk,” the payoff line of his brooding breakout track “Pop the Trunk.”

Generally Y, launched again in March, is totally different. Produced by Shooter Jennings, who beforehand labored on Grammy-winning releases by Brandi Carlile and Tanya Tucker, the album introduces a brand new and surprising Yelawolf. For starters, he sings, whereas stay musicians, together with bassist Ted Russell Kamp, guitarist John Schreffler, and drummer Jamie Douglass of Jennings’ solo band, play behind him. Arduous-charging tracks like “Leap Out the Window” and “Make Me a Believer” are stuffed with synths and sharp guitars and recall to mind “One Imaginative and prescient”-era Queen. There are shades of recent wave, Eighties metallic, and nation, all delivered with swaggering Liam Gallagher power by Yelawolf. Generally Y — the title is a reference to the fluid nature of guidelines, as in “a, e, i, o, u, and …” — is a musical experiment; it’s additionally the sleeper rock album of the 12 months.

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“To me, this album is a pure development, however you’d need to have paid consideration to not be shocked by it,” Yelawolf tells Rolling Stone in his dressing room after soundcheck. Jennings, who leads the Generally Y band and performs keys and guitar onstage, is there with him, mixing a drink. “Numerous my followers are like, ‘After all, you probably did this. We’ve been ready on this.’ And a few followers are like, ‘Fuck this, I wish to hear ‘Pop the ‘Trunk.’ However I don’t permit myself to be stalled by different folks’s expectations of what I ought to be doing. I simply do what I wish to do and make the artwork I wish to make. I make no excuses or apologies for it.”

Jennings first met Yelawolf by his nephew, the rapper Battle Jennings, whereas on tour in assist of Shooter’s 2010 album Black Ribbons. Each that album and 2016’s Countach (For Giorgio) discovered him exploring digital sounds and manufacturing that caught Yelawolf’s ear. They rendezvoused at a studio to jam, however nothing got here of the periods. Nonetheless, Jennings was certain there was one thing to mine sooner or later. “All we knew is we needed to make a report the place he sang the entire thing,” Jennings says.

Quick ahead to the pandemic, and Jennings emailed Yelawolf a tough acoustic-guitar demo of a country-ish monitor titled “Gap in My Head.” Yelawolf returned a totally completed rock track, with lyrics a few small-town child who enlists within the army as a way to bankroll future goals: “We acquired school all paid, free mattress and go well with/no extra hungry nights for you.” As an alternative, the character finally ends up lifeless.

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“It was nothing that I assumed it was going to be,” Jennings says of the track. “This album is so particular as a result of the world that Wolf comes from. His view on music is totally different than if he was some man who slugged it out doing AC/DC covers his entire life. Somebody like myself, if I have been to jot down ‘Gap in My Head,’ it’d sound like some two-bit Hank [Williams] Jr. rip-off. However he’s coming at it from such a novel view that it’s fully recent and thrilling.”

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Shooter Jennings and Yelawolf onstage in Nashville in November 2022. Credit score: Spidey Smith*

Jennings was invigorated, and he and Yelawolf hammered out 9 extra songs collectively in Los Angeles, together with the stripper-pole rhythm of “Rock & Roll Child,” the disco-rocker “Radio,” and the forlorn piano ballad “Catch You on the Different Aspect,” a tribute to Yelawolf’s spouse, the singer Fefe Dobson. Like Yelawolf rap staples “Empty Bottles” and “Until It’s Gone,” its lyrics are brutally trustworthy. “That track was written throughout one of many hardest instances in my life. I assumed I had misplaced somebody without end and ever,” Yelawolf says. “I’m nice at being an artist. I’m not so nice at being father, at being husband.”

Yelawolf was deep into David Bowie and Tom Petty throughout the Generally Y periods; Jennings was listening to lots of Warren Zevon (he’ll play a tribute to Zevon on the Roxy in L.A. throughout Grammy week). When Yelawolf listened again to the tracks, he was shocked by the way in which these classic-rock melodies labored their approach in.  

“I stated, ‘Shooter, man, this is sort of a new home,” Yelawolf says. “And he was like, ‘Naw, dude, it’s simply one other room in your own home.’ And that’s precisely what it’s. That helped me to compartmentalize, as an alternative of taking a look at it like an entire new profession.”

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Yelawolf totally crossed the rock threshold whereas recording the high-octane anthem “Make Me a Believer,” a track Jennings describes as “The Automobiles meets AC/DC.” It’s when Yelawolf realized the right way to scream, letting free a guttural wail that each proved to him he was a rock singer and exorcised lingering demons that haunted him about the place he suits within the rap hierarchy.

Regardless of strong Spotify streaming numbers for songs like “Daddy’s Lambo,” “You and Me,” and “Until It’s Gone” (over 152 million), options on songs by Eminem and ASAP Rocky (reverse Kendrick Lamar no much less), and visitors like Gucci Mane, Lil Jon, and even Ed Sheeran on his personal songs, Yelawolf nonetheless felt like an outsider amongst his rap friends.

“I felt so underappreciated within the style I used to be in. Simply all the time fed with a long-handled spoon, man. I used to be there however not there. Not going to the proverbial occasion, so to talk. I didn’t get the invite,” he says. “I had all of the credibility from all of the superb rappers, artists, MCs on the earth: Busta Rhymes, Eminem, Twista, Kendrick Lamar, you title it, I had been there. However I wanted one thing that was so uniquely mine without end. And that was Generally Y.”

Yelawolf isn’t chucking up the sponge on his rap recreation, nonetheless. Onstage on the Ryman, he “opened” for Generally Y with a hip-hop set earlier than returning to the stage with Jennings and the band to play his rock album begin to end. Jennings needs to additional mix each worlds by taking part in “Pop the Trunk” stay with the band.

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“It’s so fucking cool as a result of no person else can do this. However you possibly can,” Jennings tells him within the dressing room.

“I do know we are able to pull it off. We simply gotta get Jamie 808 triggers,” Yelawolf fires again, maybe not fully bought on a totally natural drummer laying down rap beats. “Snoop Dogg does hip-hop information with a church band, however you gotta have that knock!”



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