Who had a more explosive directorial debut in the rollicking, post-Pulp Fiction ’90s than Guy Ritchie with his Lock, Stock, and Two Smoking Barrels? The stylish, gritty descent into the criminal underworld rocked both sides of the Atlantic, which then gave Ritchie the opportunity to give his style an even slicker, international sheen with Snatch.
So synonymous is Ritchie with this style and subject matter that no matter where his career takes him, whenever he returns to this topic it’s always celebrated as a back-to-basics comeback. RocknRolla, for example, helped sweep away the sour tastes of Swept Away and Revolver.
And now The Ministry of Ungentlemanly Warfare, The Gentlemen and Wrath of Man have arrived as counterpoint to the blockbuster bombast of Aladdin and King Arthur: Legend of the Sword. (Though certainly Sherlock Holmes and The Man From U.N.C.L.E. found a happy, kinetic medium between these two extremes.) The Covenant, became his highest-rated movie in 2023. —Alex Vo
#1
Adjusted Score: 88873%
Critics Consensus: A satisfying, well-acted war thriller with surprising dramatic depths, Guy Ritchie’s The Covenant tells a solid story with impressive restraint.
#2
Adjusted Score: 89429%
Critics Consensus: It may not win writer-director Guy Ritchie many new converts, but for those already attuned to the filmmaker’s brash wavelength, The Gentlemen stands tall.
#3
Adjusted Score: 78622%
Critics Consensus: Lock, Stock, and Two Smoking Barrels is a grimy, twisted, and funny twist on the Tarantino hip gangster formula.
#4
Adjusted Score: 79444%
Critics Consensus: Though perhaps a case of style over substance, Guy Ritchie’s second crime caper is full of snappy dialogue, dark comedy, and interesting characters.
#5
Adjusted Score: 77792%
Critics Consensus: Cranking up a true story of derring-do into a high-octane action flick that’s heavy on spectacle if not suspense, The Ministry of Ungentlemanly Warfare is another solid entry into Guy Ritchie’s pantheon.
#6
Adjusted Score: 80025%
Critics Consensus: Guy Ritchie’s directorial style might not be quite the best fit for an update on the legendary detective, but Sherlock Holmes benefits from the elementary appeal of a strong performance by Robert Downey, Jr.
#7
Adjusted Score: 82240%
Critics Consensus: The Man from U.N.C.L.E. tries to distract from an unremarkable story with charismatic stars and fizzy set pieces, adding up to an uneven action thriller with just enough style to overcome its lack of substance.
#8
Adjusted Score: 79972%
Critics Consensus: Wrestling just enough stakes out of its thin plot, Wrath of Man sees Guy Ritchie and Jason Statham reunite for a fun, action-packed ride.
#9
Adjusted Score: 65611%
Critics Consensus: Mixed reviews for Guy Ritchie’s return to his London-based cockney wideboy gangster movie roots, but most agree, it’s a step in the right direction following two major turkeys.
#10
Adjusted Score: 69134%
Critics Consensus: Sherlock Holmes: A Game of Shadows is a good yarn thanks to its well-matched leading men but overall stumbles duplicating the well-oiled thrills of the original.
#11
Adjusted Score: 77530%
Critics Consensus: Aladdin retells its classic source material’s story with sufficient spectacle and skill, even if it never approaches the dazzling splendor of the animated original.
#12
Adjusted Score: 58720%
Critics Consensus: Operation Fortune can’t keep up with the best modern action movies, but it’s got just enough firepower for viewers seeking a few undemanding thrills.
#13
Adjusted Score: 46154%
Critics Consensus: King Arthur: Legend of the Sword piles mounds of modern action flash on an age-old tale — and wipes out much of what made it a classic story in the first place.
#14
Adjusted Score: 16830%
Critics Consensus: In attempting to meld his successful previous formulas with philosophical musings, Guy Ritchie has produced an incoherent misfire.
#15
Adjusted Score: 7007%
Critics Consensus: Muddled and lacking the political context of the original, Swept Away offers further proof that Madonna can’t act.