(Photo by A24)
Indie movie company A24 has built an almost unprecedented level of brand identity and loyalty. Savvy moviegoers actually get excited seeing their rainbow chromatic card in front of movies, despite A24 not being associated with any one filmmaker (like J.J. Abrams with Bad Robot), genre (horror and Blumhouse), or medium (animation studios like Pixar). It’s simply a soft style that threads through the best movies they put out, not quite definable, that’s catnip to open-minded filmgoers and critics alike.
A24 began in 2013 with A Glimpse Inside the Mind of Charles Swan III, directed by Roman Coppola. It was decidedly not a box office or critical success, but does present one of A24’s modus operandi: Giving risky movies from established outsider filmmakers a shot in the theatrical space. You’ll see it again with Harmony Korine’s Spring Breakers, Sean Baker’s The Florida Project, Mike Mills’ 20th Century Women, and Sofia Coppola’s The Bling Ring. Barry Jenkins’ Moonlight won Best Picture in 2017, demonstrating A24 has got their finger on the cultural pulse (with credit to the Academy as well, of course).
Meanwhile, leaning into directorial debuts has paid off dividends, in the form of Greta Gerwig’s Lady Bird, Alex Garland’s Ex Machina, Robert Eggers’ The Witch, and Ari Aster’s Hereditary. Recently Everything Everywhere All At Once became a pandemic-era sensation and rose up as the company’s highest-grossing domestic movie ever. After that, we saw Marcel the Shell With Shoes On and Bodies, Bodies, Bodies.
Among the additions to their catalogue in 2023 so far: Past Lives, You Hurt My Feelings, Showing Up.
Now, we’re ranking all A24 movies by Tomatometer! —Alex Vo
#1
Adjusted Score: 127102%
Critics Consensus: Lady Bird delivers fresh insights about the turmoil of adolescence — and reveals writer-director Greta Gerwig as a fully formed filmmaking talent.
#2
Adjusted Score: 115096%
Critics Consensus: Eighth Grade takes a look at its titular time period that offers a rare and resounding ring of truth while heralding breakthroughs for writer-director Bo Burnham and captivating star Elsie Fisher.
#3
Adjusted Score: 106129%
Critics Consensus: Poignant, profound, and utterly heartwarming, Marcel the Shell with Shoes On is animated entertainment with real heart.
#4
Adjusted Score: 120872%
Critics Consensus: Moonlight uses one man’s story to offer a remarkable and brilliantly crafted look at lives too rarely seen in cinema.
#5
Adjusted Score: 113273%
Critics Consensus: Led by arresting performances from Steven Yeun and Yeri Han, Minari offers an intimate and heart-wrenching portrait of family and assimilation in 1980s America.
#6
Adjusted Score: 116930%
Critics Consensus: The Farewell deftly captures complicated family dynamics with a poignant, well-acted drama that marries cultural specificity with universally relatable themes.
#7
Adjusted Score: 99723%
Critics Consensus: A remarkable debut for writer-director Celine Song, Past Lives uses the bonds between its sensitively sketched central characters to support trenchant observations on the human condition.
#8
Adjusted Score: 118281%
Critics Consensus: The Florida Project offers a colorfully empathetic look at an underrepresented part of the population that proves absorbing even as it raises sobering questions about modern America.
#9
Adjusted Score: 106435%
Critics Consensus: Led by Frankie Corio’s tremendous performance, Aftersun deftly ushers audiences to the intersection between our memories of loved ones and who they really are.
#10
Adjusted Score: 109899%
Critics Consensus: First Cow finds director Kelly Reichardt revisiting territory and themes that will be familiar to fans of her previous work — with typically rewarding results.
#11
Adjusted Score: 103189%
Critics Consensus: Smart, funny, and above all entertaining, You Hurt My Feelings finds writer-director Nicole Holofcener as sharply perceptive as ever.
#12
Adjusted Score: 102658%
Critics Consensus: Menashe offers an intriguing look at a culture whose unfamiliarity to many viewers will be rendered irrelevant by the story’s universally affecting themes and thoughtful approach.
#13
Adjusted Score: 103419%
Critics Consensus: As riveting as it is sad, Amy is a powerfully honest look at the twisted relationship between art and celebrity — and the lethal spiral of addiction.
#14
Adjusted Score: 104137%
Critics Consensus: Startling, upsetting, and overall absorbing, Boys State strikingly depicts American political divisions — and machinations — taking root in the next generation.
Starring:
#15
Adjusted Score: 100838%
Critics Consensus: De Palma may not make believers out of the director’s detractors, but they’ll likely share longtime fans’ fascination with his career’s worth of entertaining stories.
#16
Adjusted Score: 98737%
Critics Consensus: Raw, bracingly honest, and refreshingly unconventional, Krisha wrings fresh — and occasionally uncomfortable — truths from a seemingly familiar premise.
#17
Adjusted Score: 111386%
Critics Consensus: Led by an outstanding Michelle Yeoh, Everything Everywhere All at Once lives up to its title with an expertly calibrated assault on the senses.
#18
Adjusted Score: 106203%
Critics Consensus: Brought to life by delicate work from writer-director Paul Schrader and elevated by a standout performance by Ethan Hawke, First Reformed takes a sensitive and suspenseful look at weighty themes.
#19
Adjusted Score: 103945%
Critics Consensus: A fresh spin on the classic slasher formula, X marks the spot where Ti West gets resoundingly back to his horror roots.
#20
Adjusted Score: 103544%
Critics Consensus: The sweet chemistry between Joaquin Phoenix and Woody Norman is complemented by writer-director Mike Mills’ empathetic work, helping C’mon C’mon transcend its familiar trappings.
#21
Adjusted Score: 99286%
Critics Consensus: An absorbingly reflective documentary that benefits from its subject’s self-chronicling, Val offers an intimate look at a unique life and career.
#22
Adjusted Score: 105237%
Critics Consensus: Led by incredible work from Brie Larson and Jacob Tremblay, Room makes for an unforgettably harrowing — and undeniably rewarding — experience.
#23
Adjusted Score: 98097%
Critics Consensus: The Humans takes its Tony-winning source material from stage to screen without sacrificing the essence of writer-director Stephen Karam’s dysfunctional drama.
#24
Adjusted Score: 100733%
Critics Consensus: A brilliantly unsettling blend of body horror and psychological thriller, Saint Maud marks an impressive debut for writer-director Rose Glass.
#25
Adjusted Score: 102909%
Critics Consensus: Ex Machina leans heavier on ideas than effects, but it’s still a visually polished piece of work — and an uncommonly engaging sci-fi feature.
#26
Adjusted Score: 105296%
Critics Consensus: Led by a stellar Denzel Washington, The Tragedy of Macbeth strips the classic story down to its visual and narrative essentials.
#27
Adjusted Score: 103714%
Critics Consensus: An affecting story powerfully told, The Last Black Man in San Francisco immediately establishes director Joe Talbot as a filmmaker to watch.
#28
Adjusted Score: 97681%
Critics Consensus: Brilliantly performed and smartly unconventional, The End of the Tour pays fitting tribute to a singular talent while offering profoundly poignant observations on the human condition.
#29
Adjusted Score: 96685%
Critics Consensus: Slow West serves as an impressive calling card for first-time writer-director John M. Maclean — and offers an inventive treat for fans of the Western.
#30
Adjusted Score: 98018%
Critics Consensus: So moving for a majority of its runtime that not even a manipulative ending can ruin the experience, Close is a tender and powerfully acted look at childhood innocence lost.
#31
Adjusted Score: 100619%
Critics Consensus: Pearl finds Ti West squeezing fresh gore out of the world he created with X — and once again benefiting from a brilliant Mia Goth performance.
#32
Adjusted Score: 94419%
Critics Consensus: A Prayer Before Dawn is far from an easy watch, but this harrowing prison odyssey delivers rich rewards — led by an outstanding central performance from Joe Cole.
#33
Adjusted Score: 115610%
Critics Consensus: Oh, hai Mark. The Disaster Artist is a surprisingly poignant and charming movie-about-a-movie that explores the creative process with unexpected delicacy.
#34
Adjusted Score: 110930%
Critics Consensus: Uncut Gems reaffirms the Safdies as masters of anxiety-inducing cinema — and proves Adam Sandler remains a formidable dramatic actor when given the right material.
#35
Adjusted Score: 107388%
Critics Consensus: A visual treat filled out by consistently stellar work from Robert Pattinson, Good Time is a singularly distinctive crime drama offering far more than the usual genre thrills.
#36
Adjusted Score: 99483%
Critics Consensus: A one-man show set in a single confined location, Locke demands a powerful performance — and gets it from a never-more-compelling Tom Hardy.
#37
Adjusted Score: 102414%
Critics Consensus: Free of visual or narrative embellishments, Gloria Bell rests almost completely on Julianne Moore’s performance in the title role — and she’s gloriously up to the task.
#38
Adjusted Score: 97262%
Critics Consensus: The Spectacular Now is an adroit, sensitive film that avoids typical coming-of-age story trappings.
#39
Adjusted Score: 99775%
Critics Consensus: In Fabric‘s gauzy giallo allure weaves a surreal spell, blending stylish horror and dark comedy to offer audiences a captivating treat.
#40
Adjusted Score: 95021%
Critics Consensus: Well-acted and steeped in Southern atmosphere, Mississippi Grind is a road movie and addiction drama that transcends each of its well-worn genres.
#41
Adjusted Score: 110735%
Critics Consensus: A Ghost Story deftly manages its ambitious themes through an inventive, artful, and ultimately poignant exploration of love and loss.
#42
Adjusted Score: 93516%
Critics Consensus: Painfully raw yet rewarding, God’s Creatures explores the limits of a mother’s love with an outstanding Emily Watson leading the way.
#43
Adjusted Score: 95742%
Critics Consensus: Drawing on another terrific performance from Honor Swinton Byrne, The Souvenir Part II continues its story with profound emotional complexity and elegant storytelling.
#44
Adjusted Score: 112628%
Critics Consensus: A gripping story brilliantly filmed and led by a pair of powerhouse performances, The Lighthouse further establishes Robert Eggers as a filmmaker of exceptional talent.
#45
Adjusted Score: 109153%
Critics Consensus: As thought-provoking as it is visually compelling, The Witch delivers a deeply unsettling exercise in slow-building horror that suggests great things for debuting writer-director Robert Eggers.
#46
Adjusted Score: 103995%
Critics Consensus: Green Room delivers unapologetic genre thrills with uncommon intelligence and powerfully acted élan.
#47
Adjusted Score: 99173%
Critics Consensus: Gritty, gripping, and weighted with thought-provoking heft, A Most Violent Year represents another strong entry in writer-director J.C. Chandor’s impressive filmography.
#48
Adjusted Score: 99392%
Critics Consensus: Led by Simon Rex’s magnetic performance, Red Rocket is another vibrant, ground-level look at modern American life from director/co-writer Sean Baker.
#49
Adjusted Score: 98942%
Critics Consensus: Lean on Pete avoids mawkish melodrama, offering an empathetic yet clear-eyed portrayal of a young man at a crossroads that confirms Charley Plummer as a major talent.
#50
Adjusted Score: 96242%
Critics Consensus: Tackling a sensitive subject with maturity, honesty, and wit, Obvious Child serves as a deeply promising debut for writer-director Gillian Robespierre.
#51
Adjusted Score: 109199%
Critics Consensus: Hereditary uses its classic setup as the framework for a harrowing, uncommonly unsettling horror film whose cold touch lingers long beyond the closing credits.
#52
Adjusted Score: 100337%
Critics Consensus: Although its reach occasionally exceeds its grasp, After Yang yields rich rewards for those willing to settle into its low-key wavelength.
#53
Adjusted Score: 99034%
Critics Consensus: Made by a filmmaker in command of her craft and a star perfectly matched with the material, The Souvenir is a uniquely impactful coming of age drama.
#54
Adjusted Score: 104526%
Critics Consensus: The Green Knight honors and deconstructs its source material in equal measure, producing an absorbing adventure that casts a fantastical spell.
#55
Adjusted Score: 94577%
Critics Consensus: Although it’s frustratingly clumsy in certain respects, The Inspection is an affecting actors’ showcase in service of some truly worthy themes.
#56
Adjusted Score: 99674%
Critics Consensus: Zola captures the stranger-than-fiction appeal of the viral Twitter thread that inspired it — and announces director/co-writer Janicza Bravo as a filmmaker to watch.
#57
Adjusted Score: 96000%
Critics Consensus: A deceptively simple drama about the artist’s life, Showing Up reunites Kelly Reichardt and Michelle Williams to absorbing effect.
#58
Adjusted Score: 100795%
Critics Consensus: 20th Century Women offers Annette Bening a too-rare opportunity to shine in a leading role — and marks another assured step forward for writer-director Mike Mills.
#59
Adjusted Score: 105843%
Critics Consensus: It Comes at Night makes lethally effective use of its bare-bones trappings while proving once again that what’s left unseen can be just as horrifying as anything on the screen.
#60
Adjusted Score: 105594%
Critics Consensus: On the Rocks isn’t as potent as its top-shelf ingredients might suggest, but the end result still goes down easy — and offers high proof of Bill Murray’s finely aged charm.
#61
Adjusted Score: 102075%
Critics Consensus: As strange as it is thrillingly ambitious, The Lobster is definitely an acquired taste — but for viewers with the fortitude to crack through Yorgos Lanthimos’ offbeat sensibilities, it should prove a savory cinematic treat.
#62
Adjusted Score: 91218%
Critics Consensus: Morris from America adds some novel narrative twists to its father-son story — and gains added resonance thanks to a powerful performance from Craig Robinson.
#63
Adjusted Score: 94429%
Critics Consensus: Darkly imaginative and brought to life by a pair of striking central performances, Lamb shears expectations with its singularly wooly chills.
#64
Adjusted Score: 96190%
Critics Consensus: Impeccably cast and smartly written, Bodies Bodies Bodies is an uncommonly well-done whodunit.
#65
Adjusted Score: 94207%
Critics Consensus: Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience.
#66
Adjusted Score: 98352%
Critics Consensus: An up-close look at one family’s emotional ups and downs, Waves captures complicated dynamics with tenderness and grace.
#67
Adjusted Score: 86358%
Critics Consensus: Oasis: Supersonic foregoes a comprehensive approach to its multi-platinum subjects in favor of an appreciative — and stirring — look at their heady early years.
#68
Adjusted Score: 91589%
Critics Consensus: Poignant and piercingly honest, While We’re Young finds writer-director Noah Baumbach delivering some of his funniest lines through some of his most relatable characters.
#69
Adjusted Score: 106048%
Critics Consensus: Ambitious, impressively crafted, and above all unsettling, Midsommar further proves writer-director Ari Aster is a horror auteur to be reckoned with.
#70
Adjusted Score: 87337%
Critics Consensus: The Hole in the Ground artfully exploits parental fears with a well-made horror outing that makes up in sheer effectiveness what it lacks in originality.
#71
Adjusted Score: 87006%
Critics Consensus: It won’t be for all tastes, but Funny Pages deserves credit for telling a coming-of-age story that leans heavier on cringe comedy than nostalgia.
#72
Adjusted Score: 95213%
Critics Consensus: High Life is as visually arresting as it is challenging, confounding, and ultimately rewarding – which is to say it’s everything film fans expect from director Claire Denis.
#73
Adjusted Score: 89294%
Critics Consensus: With appealing leads and a narrative approach that offers a fresh perspective on familiar themes, The Lovers tells a quietly absorbing story with unexpected emotional resonance.
#74
Adjusted Score: 90941%
Critics Consensus: Mid90s tells a clear-eyed yet nostalgic coming-of-age tale that might mark the start of an auspicious new career for debuting writer-director Jonah Hill.
#75
Adjusted Score: 81998%
Critics Consensus: The Monster uses its effectively simple setup and a powerful lead performance from Zoe Kazan to deliver a traditional yet subtly subversive — and thoroughly entertaining — horror story.
#76
Adjusted Score: 98517%
Critics Consensus: The Killing of a Sacred Deer continues director Yorgos Lanthimos’ stubbornly idiosyncratic streak — and demonstrates again that his is a talent not to be ignored.
#77
Adjusted Score: 91076%
Critics Consensus: American Honey offers a refreshingly unconventional take on the coming-of-age drama whose narrative risks add up to a rewarding experience even if they don’t all pay off.
#78
Adjusted Score: 81813%
Critics Consensus: Elle Fanning gives a terrific performance in this powerful coming-of-age tale about a pair of teenage girls whose friendship is unnerved by the threat of nuclear war.
#79
Adjusted Score: 79788%
Critics Consensus: Skin could stand to go a bit deeper below its surface, but a worthy story and a committed performance from Jamie Bell make this timely drama well worth a watch.
#80
Adjusted Score: 78260%
Critics Consensus: Never Goin’ Back benefits from the chemistry between leads Maia Mitchell and Camila Morrone, whose easy rapport lifts a coming-of-age story with uncommon insight.
#81
Adjusted Score: 78059%
Critics Consensus: Into the Forest grounds its familiar apocalyptic framework with a relatable look at the bond between two sisters, compellingly brought to life by Elliot Page and Evan Rachel Wood.
#82
Adjusted Score: 79457%
Critics Consensus: Slow-building and atmospheric, The Blackcoat’s Daughter resists girls-in-peril clichés in a supernatural thriller that serves as a strong calling card for debuting writer-director Oz Perkins.
#83
Adjusted Score: 78584%
Critics Consensus: The Exception (The Kaiser’s Last Kiss) elegantly blends well-dressed period romance and war drama into a solidly crafted story further elevated by Christopher Plummer’s excellent work and the efforts of a talented supporting cast.
#84
Adjusted Score: 77677%
Critics Consensus: The Death of Dick Long mixes dark humor with provocative ideas to produce a sharp blend that’s admittedly uneven but uniquely satisfying.
#85
Adjusted Score: 75259%
Critics Consensus: Thanks to a strong performance from Jake Gyllenhaal and smart direction from Denis Villeneuve, Enemy hits the mark as a tense, uncommonly adventurous thriller.
#86
Adjusted Score: 91319%
Critics Consensus: Informative, compassionate, and beautifully filmed, The Elephant Queen should satisfy nature documentary lovers of all ages.
#87
Adjusted Score: 86679%
Critics Consensus: Grim yet compelling, Share avoids rote didacticism thanks to sensitive direction and committed central performances.
#88
Adjusted Score: 81183%
Critics Consensus: No consensus yet.
#89
Adjusted Score: 71964%
Critics Consensus: No consensus yet.
#90
Adjusted Score: 78892%
Critics Consensus: The Children Act showcases yet another powerful performance from Emma Thompson, who elevates this undeniably flawed picture into an affecting adult drama.
#91
Adjusted Score: 73979%
Critics Consensus: No consensus yet.
#92
Adjusted Score: 83656%
Critics Consensus: Disarmingly odd and thoroughly well-acted, Swiss Army Man offers adventurous viewers an experience as rewarding as it is impossible to categorize.
#93
Adjusted Score: 73058%
Critics Consensus: Flawed yet viscerally effective, The Kill Team interrogates battlefield morality with a hard-hitting intensity further amplified by a talented cast.
#94
Adjusted Score: 86388%
Critics Consensus: Free Fire aims squarely for genre thrills, and hits its target repeatedly and with great gusto — albeit with something less than pure cinematic grace.
#95
Adjusted Score: 79154%
Critics Consensus: Challenging and rewarding in equal measure, Climax captures writer-director Gaspar Noé working near his technically brilliant and visually distinctive peak.
#96
Adjusted Score: 76370%
Critics Consensus: Although it never comes close to the classic capers it seeks to emulate, Sharper is just sleek and clever enough to pass the time.
#97
Adjusted Score: 73998%
Critics Consensus: Remember risks wandering into exploitative territory, but it’s bolstered by some of Egoyan’s best latter-day directing and a typically stellar performance from Christopher Plummer.
#98
Adjusted Score: 80859%
Critics Consensus: If its narrative and thematic reach sometimes exceeds its grasp, magnetic performances from a stellar cast help Men make the most of its horror provocations.
#99
Adjusted Score: 80853%
Critics Consensus: Beau Is Afraid is overstuffed to the point of erasing the line between self-flagellation and self-indulgence, but Ari Aster’s bravura and Joaquin Phoenix’s sheer commitment give this neurotic odyssey undeniable power.
#100
Adjusted Score: 75444%
Critics Consensus: Spring Breakers blends stinging social commentary with bikini cheesecake and a bravura James Franco performance.
#101
Adjusted Score: 73500%
Critics Consensus: Fueled by engaging performances from Guy Pearce and Robert Pattinson, the tension-filled The Rover overcomes its narrative faults through sheer watchability.
#102
Adjusted Score: 69043%
Critics Consensus: Laggies may not do as much with its ideas as it could, but it’s buoyed by a winsome performance from Kiera Knightley, as well as Lynn Shelton’s empathetic direction.
#103
Adjusted Score: 66699%
Critics Consensus: The Sky Is Everywhere never quite scales the heights of profundity to which it aspires, but star Grace Kaufman proves a perfect fit for director Josephine Decker’s vision.
#104
Adjusted Score: 79392%
Critics Consensus: Held together by a killer Brendan Fraser, The Whale sings a song of empathy that will leave most viewers blubbering.
#105
Adjusted Score: 74171%
Critics Consensus: White Noise may occasionally struggle with its allegedly unfilmable source material, but Noah Baumbach succeeds in finding the humorous heart of its surprisingly timely story.
#106
Adjusted Score: 71251%
Critics Consensus: Its characters may be hard to take, but When You Finish Saving the World makes some cogent sociopolitical points.
#107
Adjusted Score: 66957%
Critics Consensus: Short on romantic sparks and frustratingly sedate, Stars at Noon is carried by a talented cast and Claire Denis’ formidable control of her craft.
#108
Adjusted Score: 64154%
Critics Consensus: Gritty, stylish, and smart, Son of a Gun serves up plenty of genre thrills while offering a refreshing change of pace for Ewan McGregor.
#109
Adjusted Score: 64118%
Critics Consensus: Native Son‘s struggles with its problematic source material are uneven but overall compelling, thanks largely to Ashton Sanders’ poised work in the central role.
#110
Adjusted Score: 67824%
Critics Consensus: While it’s certainly timely and beautifully filmed, The Bling Ring suffers from director Sofia Coppola’s failure to delve beneath the surface of its shallow protagonists’ real-life crimes.
#111
Adjusted Score: 59421%
Critics Consensus: The Last Movie Star has a few poignant moments thanks to Burt Reynolds and Ariel Winter, but their performances are stranded in a middling drama unworthy of their efforts.
#112
Adjusted Score: 60313%
Critics Consensus: Woman Walks Ahead gets some extra mileage out of watchable work from Jessica Chastain and Michael Greyeyes, but uneven pacing and two-dimensional characters undermine their efforts.
#113
Adjusted Score: 67415%
Critics Consensus: Under the Silver Lake hits its stride slightly more often than it stumbles, but it’s hard not to admire – or be drawn in by – writer-director David Robert Mitchell’s ambition.
#114
Adjusted Score: 60311%
Critics Consensus: Trespass Against Us benefits from Michael Fassbender and Brendan Gleeson’s typically strong performances, even when they aren’t quite enough to balance the story’s narrative drift and awkward tonal shifts.
#115
Adjusted Score: 52314%
Critics Consensus: No consensus yet.
#116
Adjusted Score: 52102%
Critics Consensus: How to Talk to Girls at Parties has energy and ambition, but is ultimately too unfocused to do much with either — or develop its themes into a cohesive whole.
#117
Adjusted Score: 50304%
Critics Consensus: Its classic horror aims exceed its blood-slicked grasp, but False Positive works its way sneakily under the skin.
#118
Adjusted Score: 50905%
Critics Consensus: Tusk is pleasantly ridiculous and charmingly self-deprecating, but that isn’t enough to compensate for its thin, overstretched story.
#119
Adjusted Score: 48224%
Critics Consensus: In spite of Aubrey Plaza’s committed performance, Life After Beth remains a sketch-worthy idea that’s been uncomfortably stretched to feature length.
#120
Adjusted Score: 45156%
Critics Consensus: Hot Summer Nights is easy on the eyes and clearly indebted to some great films, but its strengths — including a charismatic young cast — are often outweighed by its uninspired story.
#121
Adjusted Score: 38262%
Critics Consensus: No consensus yet.
#122
Adjusted Score: 40218%
Critics Consensus: Equals is a treat for the eyes, but its futuristic aesthetic isn’t enough to make up for its plodding pace and aimlessly derivative story.
#123
Adjusted Score: 37592%
Critics Consensus: Cut Bank contains typically outstanding work from its solid veteran cast, but it’s lost in a dull morass of predictably derivative crime thriller clichés.
#124
Adjusted Score: 23741%
Critics Consensus: No consensus yet.
#125
Adjusted Score: 35379%
Critics Consensus: Mojave has no shortage of talent on either side of the camera; unfortunately, it amounts to little more than a frustrating missed opportunity.
#126
Adjusted Score: 29328%
Critics Consensus: Wan and lugubrious, The Captive represents another atmospheric, beautifully filmed misfire from director Atom Egoyan.
#127
Adjusted Score: 29147%
Critics Consensus: Woodshock‘s engages visually, but its half-baked premise is as underwhelming as it is unsatisfying.
#128
Adjusted Score: 26452%
Critics Consensus: Just like its underserved protagonist, Barely Lethal is in disguise — it wants you to think it’s smarter than it is but it fails by falling prey to all the clichés it mocks.
#129
Adjusted Score: 26159%
Critics Consensus: Stylistically overwrought and tedious, The Adderal Diaries aspires for profundity but instead feels like a shambolic class project thrown together right before it was due.
#130
Adjusted Score: 25444%
Critics Consensus: Dark Places has a strong cast and bestselling source material, but none of it adds up to more than a mediocre thriller that gets tripped up on its own twists.
#131
Adjusted Score: 19122%
Critics Consensus: Dull, maudlin, and fundamentally empty, The Sea of Trees extinguishes the contributions of a talented cast and marks a depressing low point in director Gus Van Sant’s career.
#132
Adjusted Score: 17364%
Critics Consensus: Tiresomely self-indulgent and lacking any storytelling cohesion, this Glimpse Inside the Mind finds little food for thought.
#133
Adjusted Score: 15121%
Critics Consensus: No consensus yet.
#134
Adjusted Score: 11421%
Critics Consensus: There’s no mystery here: The Vanishing of Sydney Hall may be nicely shot, but it is ultimately vapid and forgettable.